Commissioned as part of Sarasota Art Museum’s Inside Out Program, Hatch’s new site-specific installation, Amalgam (2024), spans two floors, visually linking the Jan Schmidt Loggia and Mark & Irene Kauffman Arcade. Consisting of more than 470 earthenware plates hand-painted in white, blue, and 22 karat gold luster, Amalgam is conceived as one ensemble framed by the four arched windows. Hatch also plays with the empty spaces, so that viewers perceive lines and patterns between plates adjacent to each other. The whole composition may also be experienced from multiple points of view, from near and far, inside and outside of the Museum.

The patterns and motifs deployed in Hatch’s plates in Amalgam are drawn from historical ceramics, such as 15th-century Chinese Ming-dynasty Hanap drinking vessels, 19th-century Moroccan Fassi (from Fez) ware, 17th- and 18th-century Dutch Delft vases, 18th-century Mexican Talavera tile panels, and 19th- and 20th-century Japanese-inspired English ceramics designed by Christopher Dresser. By creating a cross-cultural bricolage of blue-and-white motifs ubiquitous in these ceramic wares, Hatch brings to the fore material and visual evidence of centuries-old global trade networks and the resultant shared aesthetics that connect us. As seen in Amalgam, Hatch’s research-based, critical practice contributes to a genre of fine art ceramics with as rigorous a practice as painting or sculpture.